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sw-writers-room

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How episodic television actually gets made by a group (编剧室与制作现实) — merged from Goldberg & Rabkin (pitch as audition, leave-behind, cracking the story, beat sheet, notes discipline, production rewrites), Pamela Douglas (John Wells's room, staff-from-hell mistakes, the seven-rung ladder, step deal, the 14-day draft), Neil Landau's showrunner interviews (Lindelof, Mazzara, Katims, Bays), Evan Smith on sitcom staffing and roundtables, Richard Blum (dated), Kam Miller, and first-hand accounts by David Chase, Jesse Armstrong, Lucy Prebble, Aaron Sorkin, Julian Fellowes and Phoebe Waller-Bridge. Use when joining or running a writers' room, breaking an episode with a group, writing a leave-behind, beat sheet or outline on deadline, pitching episode ideas to an existing series, writing a spec episode, taking or giving notes, rewriting because of money, actors or locations, choosing between a staffed room and a single-author process, or asking 什么是 showrunner／编剧室怎么运作／怎么接 note.

When to use

• joining or running a writers' room
• breaking an episode with a group
• writing a leave-behind, beat sheet or outline
• pitching episode ideas to an existing series
• writing a spec episode
• taking or giving notes
• rewriting due to money, actors or locations
• choosing between a staffed room and a single-author process

When not to use

• act structure and page count anchors
• season structure
• series design, engine, bible, or pitch document fields
• comedy punchline mechanics and sitcom punch-up
• US contracts, options, or arbitration
• Chinese series production chain or censorship
• general dialogue, scene, or character methods

Skill page

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